{"id":3227,"date":"2012-01-11T22:32:00","date_gmt":"2012-01-11T21:32:00","guid":{"rendered":"http:\/\/www.lironjeremy.com\/lespasperdus\/notes-sur-champs-daltitude\/"},"modified":"2013-08-16T11:12:04","modified_gmt":"2013-08-16T10:12:04","slug":"notes-sur-champs-daltitude","status":"publish","type":"post","link":"https:\/\/www.lironjeremy.com\/lespasperdus\/notes-sur-champs-daltitude\/","title":{"rendered":"notes sur champs d’altitude"},"content":{"rendered":"

<\/p>\n

\n<\/a>\n<\/div>\n

<\/p>\n

\n<\/a>\n<\/div>\n

<\/p>\n

\n<\/a>\n<\/div>\n
\n
<\/i>\n<\/div>\n
\nNotes en cours sur un travail d’Olivier de S\u00e9pibus \u00e0 para\u00eetre aux \u00e9ditions Nuit Myrtide.<\/i>\n<\/div>\n
\n
<\/i>\n<\/div>\n
\n\n<\/div>\n
\nL\u2019ind\u00e9termin\u00e9 alentour
\nqui se fuie, le regard qu\u2019on y oppose, qu\u2019on y plante, y trace ses bords,
\nconstruit des murs. <\/div>\n
\n\n<\/div>\n
\nOn aime \u00e0 rasseoir dans l\u2019id\u00e9e
\nd\u2019un abri.<\/div>\n
\n\n<\/div>\n
\nLe paysage conserve dans
\nses multiplicit\u00e9s la trace du regard qui le d\u00e9termine. <\/div>\n
\n\n<\/div>\n
\nPeut-\u00eatre que paysage<\/i>\u00a0 ne nomme rien d\u2019autre que
\ncette trace. <\/div>\n
\n\n<\/div>\n
\nA regarder profond\u00e9ment,
\nlonguement ce qui nous fait face on s\u2019y retrouve toujours debout au centre, visage
\nvous regardant de pr\u00e8s. <\/div>\n
\n\n<\/div>\n
\nOn est au bout de lui, \u00e0
\nson extr\u00e9mit\u00e9, comme il est au bout de soi.<\/div>\n
\n\n<\/div>\n
\nAinsi le paysage
\nsera-t-il toujours en un point semblable \u00e0 nous m\u00eame. <\/div>\n
\n\n<\/div>\n
\nPoint dans lequel le
\nregard se projette sous la forme de l\u2019image qu\u2019il s\u2019en va construire. <\/div>\n
\n\n<\/div>\n
\nAinsi, si le paysage est
\ndans l\u2019image, l\u2019image en retour rejoint le paysage, l\u2019habite. <\/div>\n
\n\n<\/div>\n
\nLe paysage est un
\nall\u00e9\/retour du regard.<\/div>\n
\n\n<\/div>\n
\nMarque un point, fixe le
\npaysage, pose une balise, d\u00e9termine un lieu autant qu\u2019il le laisse insitu\u00e9. <\/div>\n
\n\n<\/div>\n
\nD\u2019une image l\u2019autre,
\nrelie l\u2019espace et le temps par une permanence relative\u00a0: la construction
\ncubique. <\/div>\n
\n\n<\/div>\n
\nLa met \u00e0 plat dans une
\nimage, multiplie les images ponctu\u00e9es de ce signe. Multiplication qui concoure
\n\u00e0 l\u2019abstraire\u00a0: lieu flottant. <\/div>\n
\n\n<\/div>\n
\nAu d\u00e9fil\u00e9 des pages, id\u00e9e
\nd\u2019animation\u00a0: mouvement qui fait du sur place. <\/div>\n
\n\n<\/div>\n
\nCe qui demeure\u00a0:
\ncube de pierre enserr\u00e9 dans le paysage, dans l\u2019image que l\u2019on dresse au devant
\nde soi, suspendus entre la r\u00e9alit\u00e9 et l\u2019image photographique. <\/div>\n
\n\n<\/div>\n
\nUn \u00e9cueil sur lequel la
\npens\u00e9e se d\u00e9chire.<\/div>\n","protected":false},"excerpt":{"rendered":"

Notes en cours sur un travail d’Olivier de S\u00e9pibus \u00e0 para\u00eetre aux \u00e9ditions Nuit Myrtide. L\u2019ind\u00e9termin\u00e9 alentour qui se fuie, le regard qu\u2019on y oppose, qu\u2019on y plante, y trace ses bords, construit des murs. On aime \u00e0 rasseoir dans l\u2019id\u00e9e d\u2019un abri. Le paysage conserve dans ses multiplicit\u00e9s la trace du regard qui le […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3227","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/posts\/3227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/comments?post=3227"}],"version-history":[{"count":1,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/posts\/3227\/revisions"}],"predecessor-version":[{"id":3850,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/posts\/3227\/revisions\/3850"}],"wp:attachment":[{"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/media?parent=3227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/categories?post=3227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/tags?post=3227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}