{"id":3421,"date":"2008-10-31T12:06:00","date_gmt":"2008-10-31T11:06:00","guid":{"rendered":"http:\/\/www.lironjeremy.com\/lespasperdus\/semaine-bimestriel-n13\/"},"modified":"2013-08-16T11:13:50","modified_gmt":"2013-08-16T10:13:50","slug":"semaine-bimestriel-n13","status":"publish","type":"post","link":"https:\/\/www.lironjeremy.com\/lespasperdus\/semaine-bimestriel-n13\/","title":{"rendered":"Semaine, bimestriel n\u00b013"},"content":{"rendered":"

\"\"<\/a>\n\n<\/p>\n<\/p>\n

Semaines, bimestriel pour l’art contemporain no.13 est annonc\u00e9 pour novembre. Amusant que ce num\u00e9ro soit introduit par le travail de Marcel Miracle, artiste avec lequel je signais ma premi\u00e8re participation \u00e0 la revue en septembre 2006. Deux ans plus tard, je perp\u00e9tue l\u2019exercice avec deux courts textes compl\u00e9mentaires attach\u00e9s \u00e0 questionner \u00e0 travers le travail de Laurent Le Deunff et l\u2019exposition du centre d\u2019art contemporain de Mouans-Sartoux notre rapport au monde, les relations que nous tissons \u00e0 notre milieu. Ce que c\u2019est d\u2019\u00eatre, comme l\u2019\u00e9crivait Val\u00e9ry, \u00ab notre \u00e2me nue sous les \u00e9toiles \u00bb.<\/p>\n<\/p>\n

Sommaire :<\/p>\n

<\/p>\n

Marcel Miracle
\nVisions de ThaM\u00fchl
\ngalerie du Jour Agn\u00e8s B, Paris<\/span><\/span>
<\/span><\/a><\/span><\/b><\/em> <\/span>
\nPascal Bircher
\nseven forty Pm
\ngalerie Martine et Thibault de la Ch\u00e2tre, Paris<\/p>\n

\nThomas Bernardet
\net Florent Mulot
\nWalker
<\/span>
\n<\/span><\/a><\/span><\/b><\/em> <\/span>
\nNicolas Royer
\nPeintures
\ngalerie de l\u2019ancien Coll\u00e8ge, Ch\u00e2tellerault
<\/span><\/a><\/span><\/b><\/em> <\/span>
\nDu jardin au cosmos
\nEspace de l\u2019art concret, centre d\u2019art contemporain, Mouans-Sartoux
<\/span>
\n<\/span><\/a><\/span><\/b><\/em> <\/span>
\nLaurent Le Deunff
\ngalerie Bonneau-Samames, Marseille

\n<\/span><\/a><\/span><\/b><\/em> <\/span>
\nKrijn de Koning, on this
\ngalerie Serge le Borgne, Paris<\/p>\n

<\/span>
\nTadashi Kawamata, Gandamaison
\ncentre d\u2019art contemporain La mar\u00e9chalerie, Versailles<\/p>\n<\/p>\n

<\/p>\n

Ga\u00eblle Braun, Les Cristallis\u00e9s Laetitia Carlotti, Dear Fontaine
\nCCAS et \u00e9ditions Cercle d’art, Imaginaire : mode d’emploi<\/p>\n<\/p>\n

Pascal Bircher, Seven Forty Pm
\ngalerie Martine et Thibault de la Ch\u00e2tre, Paris<\/p>\n<\/p>\n

Isabelle Grosse, Shaping
\nMaison des arts, Malakoff<\/p>\n<\/p>\n

Gr\u00e9gory Duhamel
\nSt\u00e9phane Tesson
\nGrands faits Divers
\nLe Ring, artoth\u00e8que de Nantes<\/p>\n<\/p>\n

<\/p>\n

Semaines bimestriel n\u00b013, <\/span>format 17 x 24 cm, 160 pages, broch\u00e9
\nNovembre 2008 \/ 18 \u20ac \/ ISBN 9782915772296<\/span><\/p>\n

couverture : Marcel Miracle, dessin extrait des Visions de Tham\u00fchl, Lausanne, art&fiction, 2008<\/span><\/span><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"

Semaines, bimestriel pour l’art contemporain no.13 est annonc\u00e9 pour novembre. Amusant que ce num\u00e9ro soit introduit par le travail de Marcel Miracle, artiste avec lequel je signais ma premi\u00e8re participation \u00e0 la revue en septembre 2006. Deux ans plus tard, je perp\u00e9tue l\u2019exercice avec deux courts textes compl\u00e9mentaires attach\u00e9s \u00e0 questionner \u00e0 travers le travail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3421","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/posts\/3421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/comments?post=3421"}],"version-history":[{"count":2,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/posts\/3421\/revisions"}],"predecessor-version":[{"id":4111,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/posts\/3421\/revisions\/4111"}],"wp:attachment":[{"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/media?parent=3421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/categories?post=3421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lironjeremy.com\/lespasperdus\/wp-json\/wp\/v2\/tags?post=3421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}